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Tarkovsky’s film, Stalker is an elusive, beautifully cryptic story that smells as if it foretold the disaster of Chernobyl that occurred in 1986. Which was several years after the film was completed. Creepy? Yes. There’s an eerie resonance that echoes throughout the narrative of the film, where a man known as the stalker acts as
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I think Alan Watts said it best that,“When we think of a moment of time, when we think what we mean by the word “now”; we think of the shortest possible instant that is here and gone.” Similarly, I feel Tarkovsky uses a conjecture of Watts’s thought on time in his stunningly, poetically, visual film
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Andrei Tarkovsky’s film, Solaris appears to be a standard science fiction story, that seeps into a deep and lengthy mediation of our own perceptions of time, identity, and grief. It’s a story about space, without really showing us space. Oddly, enough the film gives off a claustrophobic vibe with the minimal usage of sound and



